Jason Hreno | Director & Brand Strategy

JASON HRENO

DIRECTOR | BRAND STRATEGY

Breaking In
Breaking In
Expedition Impossible
Expedition Impossible
Grey's Anatomy
Grey's Anatomy
Hot in Cleveland
Hot in Cleveland
Investors Group
Investors Group
Irn Brew
Irn Brew
The Big Bang Theory
The Big Bang Theory
Law and Order
Law and Order
Brand Strategy Slide 1
Brand Strategy Slide 2
Brand Strategy Slide 3
CFC Worldwide Short Film Festival Directors Guild of Canada Jehlum Short and Long Festival Global Shorts Film Festival Sydney World Film Festival Austin Film Festival Writers Guild of Canada CFC Worldwide Short Film Festival Directors Guild of Canada Jehlum Short and Long Festival Global Shorts Film Festival Sydney World Film Festival Austin Film Festival Writers Guild of Canada

Directors Guild of Canada

Nominated Outstanding Directorial Achievement
Best Short Film — Motherland (2017)

Austin Film Festival

Semi-Finalist — Saviors (2023)

Writers Guild of Canada

Won Jim Burt Screenwriting Prize
For “Two Mountains”

Global Shorts, Los Angeles

Won Global Shorts Statuette, Award of Excellence
Motherland (2016)

Toronto Worldwide Short Film Festival

2nd Place Screenplay Giveaway Prize
Screenwriting — Sam and Rea’s Fault (2011)

Sydney World Film Festival

Nominated Winter Best Narrative Short Film
Motherland (2016)

Jehlum Short and Long Festival

Official Selection (2017)

The Kite

Read Poem —

The Story of Your Life

Read Poem —

The Chairs We Never Bought on Kijiji

Read Poem —

Could I climb the ladder of this silence?

Read Poem —

I Could Even

Read Poem —

Working at the intersection of Marketing, Advertising, PR and Narrative, I'm loving every pixel and syllable of it.

Hey there and thanks for stopping by to learn a bit more about me.

I'm a fluently tri-lingual—English, French and Spanish—award-winning Creative Services Leader with two decades of content expertise under my belt.

Starting in advertising / broadcast commercials in the UK, I worked directly for two ex-Saatchi Creative Directors at their small but mighty boutique production company in Soho (Stark Films). I learned everything about making ground-breaking commercials from two of the best directors in the biz.

In one capacity or another (PM, Line Prod or AD) for 4 amazing years, I was in every room and meeting / brief, and learned first-hand how to present to, and manage, creatives, briefs + boards, navigate agency and client politics, set etiquette, tech gear and crew, from prep to production, post to delivery. Despite having two degrees, this was the kind of education money can't buy.

It was exhilarating. As creative mentors they were both exceptional. As people, they were quite different but equally lovely. I was told more than once that I was the only one Jeff would allow in the room when he was working. He knew how much I respected and admired him, I guess. I never bothered him and he never had to ask for anything twice.

Both Art Directors by trade, decorated but humble, I think they just liked having a literature grad around (who was also visual) to bounce ideas off for story clarity. They knew I was a film and book guy and often asked what my goals were. One day I showed them a short script I'd written. They thought it was bold and pledged to help anyway they could.

Between them and another mentor I had in commercials—John Hackney (Rose Hackney Barber)—these two marquee prod co's helped me make my first 'real' 35mm short film 'Wandering Eyes' which got me my first directing gig on Ridley and Tony Scott's The Hunger for Showtime.

I also started directing commercials. These lead to more opportunities mostly back in the UK and for the US Market, where I was lucky to direct a few interesting noir-ish TV movies with well-known actors like Angie Everhart, Nicolette Sheridan and Peta Wilson to name a few. I continued writing my own original features few adaptations, scripts for hire and my own TV pilots for original series. Each has had many lives and been optioned many times.

By hook or by crook, I'm determined to direct my own indie feature, an art house thriller, and in the meantime, Life bumbles along and Journeys drift but never completely off course.

Still actively screenwriting and directing, (I just directed a zany proof of concept with 10 actors- yes 10, what was I thinking, lol-for one of my digital series called The Graveyard, it's in post, and will be out soon. It's totally crazy and ton of fun. You'll love it.), as a creative Swiss Army knife, I consult for a few major retailer where authentic values meet commerce, where communications and integrated omni channel campaigns are data driven but human at their core, and measured in tangible and meaningful ways.

An enriching adjunct thus far, I'm excited to apply more of my cinematic storytelling and myth-making background to UX / CX ecosystems at bigger and bolder brands to come.

GET IN TOUCH

jason@jasonhreno.com